gustav holst awards

[37], Another early influence was William Morris. [4], Towards the end of the nineteenth century, British musical circles had experienced a new interest in national folk music. [4] While on tour with the Carl Rosa company Holst had read some of Max Müller's books, which inspired in him a keen interest in Sanskrit texts, particularly the Rig Veda hymns. Life and Music There is little about Holst’s early life that suggests a great master in the making. Un article de Wikipédia, l'encyclopédie libre. The music section of the YMCA's education department needed volunteers to work with British troops stationed in Europe awaiting demobilisation. Chaque planète a un caractère différent. », « no planet borrows colour from another. [3], One of Holst's great-grandfathers, Matthias Holst, born in Riga, Latvia, was a Baltic German; he served as composer and harp teacher to the Imperial Russian Court in St Petersburg. Le pénultième opéra de Holst, At the Boar's Head (1924), est basée sur la scène de la taverne d’Henry IV de Shakespeare. He began composing while at Cheltenham Grammar School and spent two months at Oxford learning counterpoint before being sent to London to study composition under Stanford at the Royal College of Music. But they never sound vague or slovenly, for he had set himself the task of finding words that would be 'clear and dignified' and that would 'lead the listener into another world'". Il composa durant cette période la First Choral Symphony sur un texte de Keats (seuls des fragments existent d'une Second Choral Symphony sur un texte de George Meredith). Early Life: Gustav Holst, was born to a family of Swedish extraction (by way of Latvia and Russia). Holst a l'idée des Planètes en 1913, en partie pour son intérêt de l'époque pour l'astrologie[n 13] et également pour sa détermination, malgré l'échec de Phantastes, à composer une grande œuvre orchestrale[11]. [110], Towards the end of his life Holst wrote the Choral Fantasia (1930) and he was commissioned by the BBC to write a piece for military band; the resulting prelude and scherzo Hammersmith was a tribute to the place where he had spent most of his life.

» L'élève de Holst Edmund Rubbra reconnait comment lui et d'autres compositeurs anglais plus jeunes ont adopté l’économie de style de Holst : « Avec quel enthousiasme nous n'avons rogné notre musique jusqu'à l'os[t 88],[116]. [4] Holst's penultimate opera, At the Boar's Head (1924), is based on tavern scenes from Shakespeare's Henry IV, Parts 1 and 2. Bien que plus capable que compétent au trombone, il était louée par le chef d'orchestre renommé Hans Richter, pour qui il joua au Covent Garden[45],[21]. [8] Clara died in February 1882, and the family moved to another house in Cheltenham,[n 3] where Adolph recruited his sister Nina to help raise the boys.

En 1892, Holst composa la musique d'une opérette dans le style de Gilbert et Sullivan, Lansdowne Castle, or The Sorcerer of Tewkesbury[24]. Real-Life Medal of Honor Character Portrayals, The Best Foreign Language Thriller (1996-2016), IMDb Top 250 Foreign Language Film (Non Animated), How to Let Go of the World: and Love All the Things Climate Can't Change, A Christmas Celebration: Live from Dublin, Wallace & Gromit: The Curse of the Were-Rabbit, Laibach: A Film from Slovenia - Occupied Europe NATO Tour, Knowing Me, Knowing You with Alan Partridge, Knowing Me Knowing Yule with Alan Partridge, 'Goodbye, Galaxy!' » La danse mystérieuse à la fin est, selon Matthews, « le moment le plus étrange dans une œuvre étrange[t 75],[4].

», « Here he did away with the childish sentimentality which schoolgirls were supposed to appreciate and substituted Bach and, « [A] bad tradition had to be broken down. Il s'appropria la particule aristocratique von et l'ajouta de lui-même à son nom de famille dans l'espoir d'obtenir plus de prestige et d'attirer les élèves[n 2], Le père de Gustav, Adolph von Holst, était organiste et chef de chœur à la All Saints' Church (en), Cheltenham[7] ; il enseignait également et donnait des récitals de piano[7]. [123] Of an early encounter with Holst, Tippett later wrote: "Holst seemed to look right inside me, with an acute spiritual vision". [4], Holst conceived the idea of The Planets in 1913, partly as a result of his interest in astrology,[n 14] and also from his determination, despite the failure of Phantastes, to produce a large-scale orchestral work. Il avait peu d'argent et, en partie par économie et en partie par sentiment personnel, il devint végétarien et abstème[26]. [35] Before Holst's appointment, Morley College had not treated music very seriously (Vaughan Williams's "bad tradition"), and at first Holst's exacting demands drove many students away. Durant l'époque des LP et des CD stéréos, des nombreux enregistrements des Planètes arrivent. In addition to his existing work he accepted a lectureship in composition at the University of Reading and joined Vaughan Williams in teaching composition at their alma mater the RCM. En novembre 1891, Holst donna ce qui est peut-être sa première représentation publique en tant que pianiste ; son père et lui jouèrent les Danses hongroises de Brahms lors d'un concert à Cheltenham[23]. Lui qui voulait servir la cause de son pays, est très déçu. News, reviews, museum life and events for young and old. By the early years of the 21st century most of the major and many of the minor orchestral and choral works had been issued on disc. Il n'avait pas apprécié Götterdämmerung quand il l'avait entendue à Covent Garden en 1892, mais encouragé par son ami et condisciple Fritz Hart, il persévéra et devint rapidement un ardent wagnérien[30]. [22] The piece was performed at Cheltenham Corn Exchange in February 1893; it was well received and its success encouraged him to persevere with composing.

Sa fille et biographe, Imogen Holst, raconte qu'avec ses payes de musicien, « il était en mesure de payer les besoins vitaux : hébergement et repas, papier manuscrit et des billets pour des places debout dans la galerie de Covent Garden Opera House pour les soirées Wagner[t 4],[29]. » Certaines de ses compositions avaient été publiées et jouées ; l'année précédente The Times avait loué son chant Light Leaves Whisper, « une œuvre modérément élaborée en six parties, traitée avec beaucoup d'expression et un sentiment poétique[t 14],[44].

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